A surreal drama about the Painter, who tries his best to get into the Vienna Academy of Arts. The process of application is not easy, as he shares his living space with the crazy Postman, who delivers him a daily dose of derogatory letters.

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Guilty of loving life! A dramatization of an actual court case in turn-of-the-century Québec. A lively, outgoing woman is accused of murdering her husband in collaboration with the hired hand. The townspeople do not appreciate her robust personality and the proceedings in court degenerate to a judgment of her character. Filled with stunning visual imagery, this feature film captures the spirit of the time and place. Particularly useful for those interested in history, law or women's issues.

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Fact-based story of an idealistic single dad who discovers that his beloved Native American adopted son is afflicted with Fetal Alcohol Syndrome and complicates his life with the woman who becomes his wife.

这是“零长期失业地区”实验的故事，该实验于2015年在莫莱翁（德塞夫勒省）城市圈启动。当时，皮埃里克、安妮、塞巴斯蒂安等人生活极度困苦。菲利普说：“人们叫我们‘临时工’。”四年后，他们受雇于法国第一家“以就业为目的的企业”……

When the painter Christopher Bean dies, some unscrupulous art dealers try to get several of his paintings cheaply from a family who have no idea of their value.

Taking advantage of the latest advances in performance technology, the boys have upgraded their acting to digital. Using this technology they are able to immediately jump to any routine or fast-forward through the boring bits. Unfortunately, the remote control has gone missing. Tensions arise when their newly-hired roadie clashes with David — he points out that there’s no need for a roadie as there are no props or scenery to move. The situation gets worse when their show controller, Tina, starts playing mind games with Shane.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

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